Zobrazeno 1 - 7
of 7
pro vyhledávání: '"словенское партизанское искусство"'
Autor:
Komelj, Miklavž
Publikováno v:
Slavica TerGestina, Vol 17 (2016), Pp 40-69 (2016)
Responding to Rastko Močnik’s contribution to this volume, this essay is an attempt to subtilise his proposition that the break the Partisan art introduced in relation to bourgeois aesthetics consists in its open embrace of propagandism. The thesi
Externí odkaz:
https://doaj.org/article/1022dae320c346758a12a0a8dd5f2fb7
Autor:
Močnik, Rastko
Publikováno v:
Slavica TerGestina, Vol 17 (2016), Pp 18-38 (2016)
The common argument that today the symbolic production of Yugoslav Partisans can finally be perceived as culture and as art because it has finally escaped from ideological confinement is itself a captive of the modern ideology of aesthetics according
Externí odkaz:
https://doaj.org/article/15aff8b722314c39a5afe4341ba8f115
Autor:
Močnik, Rastko
Publikováno v:
Slavica TerGestina, Vol 17 (2016), Pp 70-83 (2016)
This short essay returns to the author’s earlier article on the Partisan symbolic production and to Miklavž Komelj’s response to it (both articles appear in this volume). Komelj argues that by rejecting a certain type of propagandism, Slovenian
Externí odkaz:
https://doaj.org/article/45e55e0fbdb142f4bb2793710925d12e
Autor:
Komelj, Miklavž
Publikováno v:
Slavica TerGestina, Vol 17 (2016), Pp 86-99 (2016)
This short essay returns to the author’s earlier article-length response to Rastko Močnik’s article on the Partisan symbolic production (both articles as well as Močnik’s own reply appear in this volume). In the original article, Močnik argu
Externí odkaz:
https://doaj.org/article/929e16b1db56438da221edf498704179
Autor:
Komelj, Miklavž
Publikováno v:
Slavica TerGestina, Vol 17 (2016), Pp 86-99 (2016)
This short essay returns to the author’s earlier article-length response to Rastko Močnik’s article on the Partisan symbolic production (both articles as well as Močnik’s own reply appear in this volume). In the original article, Močnik argu
Autor:
Močnik, Rastko
Publikováno v:
Slavica TerGestina, Vol 17 (2016), Pp 70-83 (2016)
This short essay returns to the author’s earlier article on the Partisan symbolic production and to Miklavž Komelj’s response to it (both articles appear in this volume). Komelj argues that by rejecting a certain type of propagandism, Slovenian
Autor:
Komelj, Miklavž
Publikováno v:
Slavica TerGestina, Vol 17 (2016), Pp 40-69 (2016)
Responding to Rastko Močnik’s contribution to this volume, this essay is an attempt to subtilise his proposition that the break the Partisan art introduced in relation to bourgeois aesthetics consists in its open embrace of propagandism. The thesi