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Publikováno v:
Часопис Національної музичної академії України ім.П.І.Чайковського; № 2 (23) (2014); 42-49
The article analyses the productions of the ballet by V. Hubarenko “Don Juan” on the Ukrainian stage in the context of genre and stylistic changes of the Ukrainian choreographic art of the 1960s–1980s. It emphasizes that the three different pro