Hoessrich and Woerffel Atelier’s Stand at the Centennial Exhibition (Philadelphia, 1876) and Its Subsequent History

Autor: Ludmila Alekseevna Budrina

Publikováno v: Известия Уральского федерального университета. Серия 2: Гуманитарные науки, Vol 22, Iss 2(198), Pp 273-287 (2020)

The history of Russian stonecutting art is mostly known due to the production of the imperial lapidary factories. However, in order to understand the real situation in this area of decorative arts, it is also important to consider the production of p

Externí odkaz: https://doaj.org/article/89d9abc3aa5e44a482e7e92f344c0a75

Japanese Export Screen: On the Transparency of Cultural Borders in the Second Half of the 19th — Early 20th Centuries

Autor: Sergey Yevgenyevich Vinokurov

Publikováno v: Известия Уральского федерального университета. Серия 2: Гуманитарные науки, Vol 21, Iss 1(184), Pp 227-238 (2019)

In Russian national art history, the evolution of art interrelation between East and West is often viewed through the prism of either the “East — West” or the “West — East” tradition, thus establishing a certain boundary between two artis

Externí odkaz: https://doaj.org/article/546f19c55b5a4129b1d67c65fa6038d4

The Attribution of Works of Russian Stonecutting Factories: Object, Design, and Issues of Authorship in the Context of Cross-Cultural Exchange

Autor: Liudmila Alekseevna Budrina

Publikováno v: Известия Уральского федерального университета. Серия 2: Гуманитарные науки, Vol 19, Iss 4(169), Pp 231-240 (2017)

This article focuses on the study of the decorative and applied art of the 19th century — the issue of attribution of authorship in the conditions of borrowing and transfer of taste, active cross-cultural contacts, the cosmopolitan art of the neost

Externí odkaz: https://doaj.org/article/51580e6fc348490a92d687c83628dd04

Ural School of Art History: Continuity of Traditions

Autor: Avdeeva, V. V.

В статье рассматривается специфика развития уральской искусствоведческой школы, официально возникшей в 1960 г. в Уральском государствен�

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od_______917::e3b689a3ba22f1927fc26269934d2475
https://hdl.handle.net/10995/122775

Lapidary Art of the Altai and the Urals of the Late 18th — 19th Centuries: The Russian Cultural Phenomenon and European Influence

Autor: N. V. Borovkova

Publikováno v: Izvestia. Ural Federal University Journal. Series 2. Humanities and Arts; Том 23, № 3; 291-303
Известия Уральского федерального университета. Серия 2. Гуманитарные науки; Том 23, № 3; 291-303
Известия Уральского федерального университета. Серия 2: Гуманитарные науки, Vol 23, Iss 3, Pp 291-303 (2021)

The study of Russian stone-cutting art remains an important and urgent task of contemporary Russian art history. It is necessary to take a fresh look at this direction of Russian decorative art and find out whether Russian stone-cutting art is an int

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1a849363fbd597faaf6bf45fb3e1d434
https://journals.urfu.ru/index.php/Izvestia2/article/view/5379