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Autor:
Аida M. Ailamaz’ian, Мari A. Ganeshina
Publikováno v:
Музыкальное искусство и образование, Vol 9, Iss 1, Pp 43-59 (2021)
The article is dedicated to the author’s own experience of the production of Gluck’s “Orpheus and Eurydice” in the genre of vocal-plastic action. The main character of the performance is the “dancing choir” which plastically expresses
Externí odkaz:
https://doaj.org/article/742c0e3606d2487998af9d2416581b84
