The Problem of Inauthentic Memoirs: Akhmatova’s Case

Autor: Irina Vladislavovna Erokhina

Publikováno v: Известия Уральского федерального университета. Серия 2: Гуманитарные науки, Vol 21, Iss 3(190), Pp 36-50 (2019)

This article considers one of the key issues in the reception of memoirs, i.e. the contradiction embedded in the specific character of the genre. Lidiya Ginzburg defined it as an interconnection of two counter-directed principles: the mandatory “st

Externí odkaz: https://doaj.org/article/273ba854342749f4a8f8ef3840ab8d07

The Image of the Invisible Cross in the Russian Lyrical Poetry of the 20th Century: From The Twelve by Blok to the Roman Diary by Vyacheslav Ivanov

Autor: Sergey Romanovich Fedyakin

Publikováno v: Известия Уральского федерального университета. Серия 2: Гуманитарные науки, Vol 20, Iss 2(175), Pp 178-188 (2018)

Referring to works of four poets, the author analyses a special image of the “invisible cross” that appears when horizontal and vertical poetic images come into contact. In Boris Pasternak’s poem Winter Night, it is formed by the image of winds

Externí odkaz: https://doaj.org/article/4713912db387404a8cad66edff801fc2

The Problem of Inauthentic Memoirs: Akhmatova’s Case

Autor: I. V. Erokhina

Publikováno v: Известия Уральского федерального университета. Серия 2: Гуманитарные науки, Vol 21, Iss 3(190), Pp 36-50 (2019)

This article considers one of the key issues in the reception of memoirs, i.e. the contradiction embedded in the specific character of the genre. Lidiya Ginzburg defined it as an interconnection of two counter-directed principles: the mandatory “st

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d859b223b233f4dfd964c18f4d846a3d
https://doi.org/10.15826/izv2.2019.21.3.045

The Problem of Inauthentic Memoirs: Akhmatova’s Case

Autor: Erokhina, Irina Vladislavovna

Publikováno v: Izvestia. Ural Federal University Journal. Series 2. Humanities and Arts; Том 21, № 3(190); 36-50
Известия Уральского федерального университета. Серия 2. Гуманитарные науки; Том 21, № 3(190); 36-50

This article considers one of the key issues in the reception of memoirs, i.e. the contradiction embedded in the specific character of the genre. Lidiya Ginzburg defined it as an interconnection of two counter-directed principles: the mandatory “st

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=urfujournals::9a13d770de81bdde791d1e5da5c686f7
https://journals.urfu.ru/index.php/Izvestia2/article/view/4088

The Image of the Invisible Cross in the Russian Lyrical Poetry of the 20th Century: From The Twelve by Blok to the Roman Diary by Vyacheslav Ivanov

Autor: Fedyakin, Sergey Romanovich

Publikováno v: Izvestia. Ural Federal University Journal. Series 2. Humanities and Arts; Том 20, № 2(175); 178-188
Известия Уральского федерального университета. Серия 2. Гуманитарные науки; Том 20, № 2(175); 178-188

Referring to works of four poets, the author analyses a special image of the “invisible cross” that appears when horizontal and vertical poetic images come into contact. In Boris Pasternak’s poem Winter Night, it is formed by the image of winds

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=urfujournals::60adff7daeaa6515b7e5fc7cf6b95dcf
https://journals.urfu.ru/index.php/Izvestia2/article/view/3232