Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Šárka Havlíčková Kysová"'
Autor:
Anna Cetera-Włodarczyk, Šárka Havlíčková Kysová, Anna Kowalcze-Pawlik, Ivona Mišterová, Gabriella Reuss
Publikováno v:
Multicultural Shakespeare, Vol 28, Iss 43, Pp 89-108 (2023)
This collectively authored position paper discusses “hybrid” Shakespeares in Central and Eastern Europe, focusing on productions that offer formal experimentation and transnational perspectives. While their contexts remain regional, they provide
Externí odkaz:
https://doaj.org/article/fa746d6b8ecc4a33987d6bce0c960ec2
Publikováno v:
Multicultural Shakespeare, Vol 28, Iss 43, Pp 15-22 (2023)
The publication of the issue was supported by the International Visegrad Fund, project no. 22210007, titled “Crossing Borders with Shakespeare since 1945: Central and Eastern European Roots and Routes.” The project is co-financed by the Governmen
Externí odkaz:
https://doaj.org/article/1e1ef19d2d1948cea242fd8598902a0e
Publikováno v:
Multicultural Shakespeare, Vol 28, Iss 43, Pp 7-14 (2023)
Externí odkaz:
https://doaj.org/article/bc0c7980f7ad47ca89efbaf39e7c4825
Autor:
Šárka Havlíčková Kysová, Helena Spurná
Publikováno v:
Musicologica Brunensia, Vol 53, Iss 1 (2018)
The study deals with the Czech reception of Felsenstein's work, which gained from the 50s a priviledged position over the countries of the so-called Eastern Bloc. Summarizing history of the Komische Oper's visiting performances in Prague as well as F
Externí odkaz:
https://doaj.org/article/eeb18509ef1a455b96f7bdf8ae076caf
Autor:
šárka Havlíčková Kysová
Publikováno v:
Slovenske divadlo /The Slovak Theatre. 70:203-224
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::18b5a93cf851406655d9ecb367ca06f5
https://doi.org/10.31577/sd-2022-0014
https://doi.org/10.31577/sd-2022-0014
Autor:
Šárka Havlíčková Kysová
Publikováno v:
Theatralia. :172-176
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dc67ee130d54328869df0667ece437dd
https://doi.org/10.5817/ty2022-1-12
https://doi.org/10.5817/ty2022-1-12
Autor:
Šárka Havlíčková Kysová
Publikováno v:
Theatralia. :172-174
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::95f54d0b53cffc04732f0b364d6ae330
https://doi.org/10.5817/ty2022-2-13
https://doi.org/10.5817/ty2022-2-13
Autor:
Šárka Havlíčková Kysová
Publikováno v:
Theatralia. :267-270
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bf823e42ab2097023d0e57ba5f327719
https://doi.org/10.5817/ty2021-1-17
https://doi.org/10.5817/ty2021-1-17
Autor:
Šárka Havlíčková Kysová
Publikováno v:
Theatralia. :189-208
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f0060b0e97070cf10cc6243f80db041e
https://doi.org/10.5817/ty2021-s-14
https://doi.org/10.5817/ty2021-s-14
Autor:
Šárka Havlíčková Kysová
This chapter considers both the ways of transforming Shakespeare’s plays into opera librettos, and the staging practice of particular Shakespearean operas. It focuses on staging of two operas based on Shakespeare’s plays composed by Giuseppe Verd
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d075da955a70d7b7b04687d1a239b675
https://doi.org/10.1093/oxfordhb/9780190945145.013.33
https://doi.org/10.1093/oxfordhb/9780190945145.013.33
