Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Ágnes Kriza"'
Autor:
Ágnes Kriza
An outline of the history of mural and icon-painting in Novgorod demonstrates that the pictorial references in icons to church constructions, interiors, and their mural decorations had a long-standing tradition in Novgorod. Over time, these reference
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7fcc9014ae671e562a160d9ee5a2f5e6
https://doi.org/10.1093/oso/9780198854302.003.0010
https://doi.org/10.1093/oso/9780198854302.003.0010
Autor:
Ágnes Kriza
The third part of the book investigates how the Sophia image visualizes the concept of the Hagia Sophia church as a symbol of Orthodoxy. It analyses the structure of the Wisdom image and its different iconographic details as references to constructed
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2974463677126e1724ad6e2108fbab19
https://doi.org/10.1093/oso/9780198854302.003.0008
https://doi.org/10.1093/oso/9780198854302.003.0008
Autor:
Ágnes Kriza
By focusing on the central figure of Orthodox sanctuary decorations, the image of the Mother of God, this chapter examines the Marian aspects of the azymes controversy. It studies a new version of the Nikopoios image, the Blachernitissa or Znamenie w
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b449cf6b113ac2328bc78758c15e7765
https://doi.org/10.1093/oso/9780198854302.003.0009
https://doi.org/10.1093/oso/9780198854302.003.0009
Autor:
Ágnes Kriza
The Novgorod Sophia iconography has a coeval commentary from the fifteenth century which is the earliest surviving Russian icon commentary, followed by others. By analysing the Sophia commentary, the first, ‘Word’ part investigates this genre of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8190d78db70516f4f6e18f4491add92a
https://doi.org/10.1093/oso/9780198854302.003.0002
https://doi.org/10.1093/oso/9780198854302.003.0002
Autor:
Ágnes Kriza
The image of Divine Wisdom, traditionally associated with the Sophia Cathedral in Novgorod, is an innovation of the fifteenth century. The icon represents the winged, royal, red-faced Sophia flanked by the Mother of God and John the Baptist. Although
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f733b1fb8961e5ec2b6b893d4a0f7415
https://doi.org/10.1093/oso/9780198854302.001.0001
https://doi.org/10.1093/oso/9780198854302.001.0001
Autor:
Ágnes Kriza
At the time of the union of Florence, Evfimii II was the Archbishop of Novgorod whose patronage shows a clear change of direction at the end of the 1430s. While scholars explain this turn differently, this chapter provides various evidence proposing
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::eb2ef8e5932c2d1569771c4fe66a4ff7
https://doi.org/10.1093/oso/9780198854302.003.0012
https://doi.org/10.1093/oso/9780198854302.003.0012
Autor:
Ágnes Kriza
This chapter analyses the hidden patristic and liturgical quotations in the Sophia commentary which broaden the meaning of the Sophia icon. Its subchapters focus on four texts: the homilies of Ephrem the Syrian and Andrew of Crete, various liturgical
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bdb88ce3a999a579edbb9e4b45d2185e
https://doi.org/10.1093/oso/9780198854302.003.0003
https://doi.org/10.1093/oso/9780198854302.003.0003
Autor:
Ágnes Kriza
In the Novgorod Sophia icon, the Theotokos who holds in her hands Christ in an aureole provides a clue to the sophiological meaning of the icon. Two case studies on the sixth- or seventh-century manuscript illuminations in the Syriac Bible of Paris a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d5a49fe00374c137ad5f6e0329dcb249
https://doi.org/10.1093/oso/9780198854302.003.0007
https://doi.org/10.1093/oso/9780198854302.003.0007
Autor:
Ágnes Kriza
In the 1470s, a new redaction of the Sophia commentary appeared which has a new incipit referring to the legendary Hagia Sophia church in Rome founded by Saint Sophia and consecrated by Apostle Peter. This legend about Saint Sophia and her Roman Soph
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f619b1d0b5e2e02eea04bcf922d81466
https://doi.org/10.1093/oso/9780198854302.003.0013
https://doi.org/10.1093/oso/9780198854302.003.0013
Autor:
Ágnes Kriza
The last, ‘History’ part studies the historical context of the creation of the Novgorod Sophia iconography by arguing that its creation was a Novgorodian response to the union of the Catholic and Orthodox churches signed in Florence in 1439. The
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4c097090958e28d9d21299bdc6b83e8b
https://doi.org/10.1093/oso/9780198854302.003.0011
https://doi.org/10.1093/oso/9780198854302.003.0011