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Autor:
Yasmin Ibrahim
Publikováno v:
Fudan Journal of the Humanities and Social Sciences. 11:453-464
The incessant flow of content and data through digital platforms implicates humanity to immaterial modes of transacting identity and memory. Through the image of the “Napalm Girl” this paper traces the ways in which iconic images and memory can b
Autor:
Yasmin Ibrahim
Publikováno v:
Convergence: The International Journal of Research into New Media Technologies. 25:1111-1122
The banal imaging of ourselves and our environments has led to new aesthetic modes where the conventions of imaging, subject–object relationships and what is pleasurable or popular often draw on the ludic, the unexpected or the surprise element. On
Autor:
Yasmin Ibrahim
Publikováno v:
Continuum. 31:104-113
While humanity has always found means to represent itself through material artefacts, the digital age and its attendant screen culture offer interesting ways to ubiquitously capture and to produce the self as a digital artefact online for personal an
Autor:
Yasmin Ibrahim
Publikováno v:
Social Media + Society, Vol 4 (2018)
While images can provide a transformative experience, they can also become objects of virtual voyeurism, functioning within regimes of representation while possessing the power to resist dominant ideologies. This article examines this phenomenon of
Autor:
Yasmin Ibrahim
Publikováno v:
International Journal of E-Politics. 7:51-61
The self is performed through the banal of the everyday on social media. The banality of the everyday constitutes an integral part of our communication on digital platforms. Taking this as part of our performative lives in the digital economy, the pa
Autor:
Yasmin Ibrahim
Publikováno v:
Journal of Media Practice. 16:211-227
There's growing interest in the notion of the ‘selfie’ in the digital age. Much of the interest has been making sense of this digital genre pervasive in its manifestation while implicating the individual and hinging on public gaze in digital plat