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Provided here is a new transcription for viola and piano of Charles V. Stanford's Sonata for Cello and Piano, No. 2, Op. 39. This transcription preserves the original music, but provides new tone color and register possibilities using the viola. In g
Externí odkaz:
http://hdl.handle.net/2286/R.I.40227
Autor:
Pisano, Paul W.
The music of Sergei Rachmaninoff tends to elicit polarized responses from its hearers; even expressions of supposed academic indifference may betray a degree of contempt by what they do not say. Much of this reaction, positive or negative, comes of a
Externí odkaz:
http://rave.ohiolink.edu/etdc/view?acc_num=ucin1407404385
This treatise discusses two works by Francis Poulenc and Sergei Prokofiev that became a part of the music culture of France in the 1920s. Sergei Prokofiev's 1924 Quintet, Op. 39 for Oboe, Clarinet, Violin, Viola, and Double Bass, and the subsequent b
Autor:
Bergan, Caroline Patricia
In North American colleges, universities, and conservatories it is not uncommon to find the main languages required of music students to be French, Italian, German, and English. Beyond the scope of these four most common languages, Russian, Spanish,
Publikováno v:
Biblioteca Digital de Teses e Dissertações da UFGUniversidade Federal de GoiásUFG.
Submitted by Cláudia Bueno (claudiamoura18@gmail.com) on 2015-10-26T17:40:36Z No. of bitstreams: 2 Dissertação - Lóide Batista Magalhães Silva - 2015.pdf: 2597655 bytes, checksum: 7fd216ca2fbb1a9fefaa79ebb5bcf2c1 (MD5) license_rdf: 23148 bytes,
Externí odkaz:
http://repositorio.bc.ufg.br/tede/handle/tede/4789
Autor:
Burdick, Carl
This dissertation documents Joseph Haydn’s compositional practice of integrating sonata and fugue in his early symphonies. It argues that through this process of sonata-fugue integration, Haydn developed his most characteristic sonata-form techniqu
Autor:
Rodrigues, Alice Sampaio
Publikováno v:
Biblioteca Digital de Teses e Dissertações da PUC_SPPontifícia Universidade Católica de São PauloPUC_SP.
Made available in DSpace on 2016-04-27T18:12:42Z (GMT). No. of bitstreams: 1 Alice Sampaio Rodrigues.pdf: 1583118 bytes, checksum: 5d72ff705352a9ba2a5fed16d986fde1 (MD5) Previous issue date: 2009-07-30
Coordenação de Aperfeiçoamento de Pessoa
Coordenação de Aperfeiçoamento de Pessoa
Externí odkaz:
https://tede2.pucsp.br/handle/handle/12243
The life and music of English composer, Gerald Finzi (1901-56) has received relatively little critical study; that which has been done, however, especially regarding the choral and vocal music, often focuses on Finzi’s gift for setting words to mus
Externí odkaz:
http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155575211
Autor:
Linnet, Herdís Ágústa
Claude Debussy was the first composer to be described as an impressionist. Impressionistic artists and writers around fin de siècle were pioneers in their fields, creating new colours and describing light in new and inventive ways. Scientists were e
Externí odkaz:
http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4597
Hans Gál is arguably one of the most underrated, underperformed and forgotten composers of the twentieth century. Once a prolific composer in the 1920s and 1930s, Gál’s career was cut short by the Nazi regime in 1933 when he was fired, and his wo
Externí odkaz:
http://hdl.handle.net/2286/R.I.53703