Zobrazeno 1 - 10
of 23
pro vyhledávání: '"792"'
Autor:
Bamuturaki, Keneth
In Uganda, relative to its neighbouring countries such as Kenya and Tanzania, the practice of Theatre for Development (henceforth TfD) has been considered quite problematic. Within the arts fraternity in Uganda, there have been critics who hold that
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.702299
Autor:
Weir, Antony John
This project aims to develop and explore questions of theatre as public discourse and the representation of England and Englishness in contemporary British theatre during the period 2000-2010. I present a dual focus in this practice-led research proc
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.700199
The adaptation of Shakespeare’s plays in England continues to be complicated by his canonical status. This has led to the authority and value of productions of Shakespeare’s plays being assessed in terms of their fidelity or otherwise to the text
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.684091
Autor:
Pinna, Ilaria
This thesis examines the development of Italian political theatre between 1968 and 2010. It analyses the relationship between political theatre during the 1970s and politically engaged practice in the following decades in terms of continuity rather t
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.688119
Autor:
Cummings, Hannah Jane
This thesis is located within the discourse of contemporary, participatory performance. It offers a cultural materialist reading of the relationship between neoliberal capitalism and identity, and its adjunct community, to consider the extent to whic
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.688115
Autor:
Wu, Yi Chen
This dissertation aims to establish a philosophical framework, described from the spectator’s viewpoint, for the analysis of the embodiment process of Qi in Taiwanese hypermedial theatre works, which subtly convey a traditional Chinese aesthetic of
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685823
Autor:
Davies, Callan John
Concentrating on six plays in the 1610s, this thesis explores the ways theatrical visual effects described as “strange” channel the period’s moral anxieties about rhetoric, technology, and scepticism. It contributes to debates in repertory stud
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.679521
Autor:
Katsouri, Antigoni
This thesis sets out to display the dynamic role fragmented rituals have in the plot of tragedy. It contends that the tragedians deployed fifth-century ancient Greek religious practices from their cultural milieu as independent objects in their plots
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.659377
Autor:
Son, Bonghee
The purpose of this thesis is to explore the principles of selected Korean training sources for contemporary psychophysical performer training towards the development of a performer’s ‘receptive’ body. Those training sources are including Ocheu
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.668045
Autor:
Ho, I-Lien
Since 1950s, the concept of Kongwu (空無, Emptiness, Nothingness) has migrated into American-European experimental performances, including those of John Cage and Cage-influenced artists who developed Happenings, Fluxus, and intermedia practices. Th
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.630903