Zobrazeno 1 - 4
of 4
pro vyhledávání: '"TAYLOR, BENEDICT"'
Autor:
Leong, Sio Pan
The concept of the dream has offered a highly rewarding avenue for modern scholars to interpret Franz Schubert’s instrumental music. In this thesis, I propose that this hermeneutic window could be significantly more productive if expanded beyond th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______463::ba1aaf245d33db9e1932d55c831ebdea
https://hdl.handle.net/1842/39218
https://hdl.handle.net/1842/39218
Autor:
Jacobs, Ruth
Discussions surrounding musical meaning and traumatic memory both focus on the ineffability of their subjects, the fact that words and concrete narrative structures will never capture the inner reality of musical expression or the traumatic past. Thi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______463::bd6d4a12f893253c236b1eb2108fe6d1
https://hdl.handle.net/1842/38857
https://hdl.handle.net/1842/38857
Autor:
Grunstein, Eric
Chopin’s large-scale compositions occupy a peculiar, uneasy position in nineteenth-century repertoire. On one hand, works such as the Second Piano Sonata (Op. 35), with its famous ‘Funeral March’ movement, have become concert-hall favourites. O
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______463::3c49b75a1159097977e29f0ecee95743
https://hdl.handle.net/1842/38516
https://hdl.handle.net/1842/38516
Autor:
Codsi, Marie-Claude
The use of leitmotifs in films has often been critiqued. Theodor Adorno and Hanns Eisler went as far as to claim in 1947 that “The whole form language of current cinema music derives from advertising” and that leitmotifs were in part to blame. Wh
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______463::f1cdedd40a4c79ec763b4af536672516
http://hdl.handle.net/1842/31381
http://hdl.handle.net/1842/31381