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Bud Coleman
During most of the 1960s, it was easy to see the musical as hopelessly out of touch with contemporary America. Even with three Broadway blockbusters opening in the same year (1964) – Fiddler on the Roof , Hello, Dolly! , Funny Girl – and the film
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::eb24d51bea70ac316efca84654a2dec4
https://doi.org/10.1017/9781316335468.019
https://doi.org/10.1017/9781316335468.019