Zobrazeno 1 - 10
of 29
pro vyhledávání: '"11"'
Autor:
J. Bruyn
Publikováno v:
Oud Holland - Quarterly for Dutch Art History. 113:107-136
The portrait of Symon Marten Dircksz. (1504-1574) preserved in Athens (fig. I, notes 1, 2), was identified on the strength of his coat of arms. The sitter was a staunch Catholic and held high offices in the Amsterdam city government. His portrait, da
Autor:
Michiel C. Plomp
Publikováno v:
Oud Holland - Quarterly for Dutch Art History. 113:197-216
The Delft artist Leonaert Bramer (1596-1574) appears to have been intensively involved in the decoration of Delftware. Hitherto four separate examples were known, mostly dating from the 1650s and 1660s (figs.1, 2, 4, 6). The article presents ten (per
Autor:
Frank van der Ploeg
Publikováno v:
Oud Holland - Quarterly for Dutch Art History. 112:104-126
This article examines the relationship between the Brussels painter Jan 11 van Coninxloo (ca. 1489-1561 or later) and the Benedictine convent of Groot-Bijgaarden. In earlier publications by J. Maquet-Tombu the link between certain members of the Van
Autor:
H.-U. Bfck
Publikováno v:
Oud Holland - Quarterly for Dutch Art History. 107:372-378
Frits Lugt hat durch die Veroffentlichung zahlloser Sammlerzeichen auf graphischen Blattern in Les Marques de Collections1 viele Sammlernamen und Sammlungsschicksale der Vergessenheit entrissen. Bei einigen Sammlerzeichen seien es nun Stempel oder ha
Publikováno v:
Oud Holland - Quarterly for Dutch Art History. 105:185-208
In forensic science, signatures are identified by means of comparative handwriting analysis - not to be confused with graphological examination. To the authors' knowledge, no systematic investigation has hitherto taken place as to the effectiveness o
Autor:
C. Wansink
Publikováno v:
Oud Holland - Quarterly for Dutch Art History. 99:201-215
The Leiden artist Hieronymus van der Mij is only known today as a portrait painter, e.g. from the twelve portraits in the Lakenhal in Leiden, one in the Rijksmuseum and the series of professors done for Leiden University. He also owed his fame in his
Autor:
E.K. Grootes
Publikováno v:
Oud Holland - Quarterly for Dutch Art History. 102:277-288
Among the books in the sale catalogue of Pieter Saeraredam's library (Note I) was a virtually forgotten work on pagan mythology, Hcydensche afgoden, belden, tcmpcls en offerhanden, published in Haarlem in 1646 (Note 2). This rare book crops up again
Autor:
Leo Ewals
Publikováno v:
Oud Holland - Quarterly for Dutch Art History. 99:271-290
Ary Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that he was born and partly trained in the Netherlands is often overlooked. Yet th
Autor:
B.P.J. Broos
Publikováno v:
Oud Holland - Quarterly for Dutch Art History. 99:110-154
After the death of his father Isaac Feitama in 1709, the young Sybrand continued collecting, making several purchases that same year. Not all of them were happy ones, however. The Presentation in the Temple by Jan van Neck (Fig. 1, Note 2), bought fr
Autor:
Lyckle De Vries
Publikováno v:
Oud Holland - Quarterly for Dutch Art History. 99:165-190
Jan van Gool's Nieuwe Schouburg, published in two volumes in 1750 and 1751 (Note 1), was meant as a sequel to Arnold Houbraken's Groote Schouburgh and it does, indeed, dovetail with that unfinished work. It brought its author much more renown than hi